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The Hookers


1965      

"THE HOOKERS" ... Three power-packed episodes that rip the shrouds of secrecy from the tawdry world of prostitution. This picture digs inside the lives of three whores-an office secretary who is part-time call girl. . . a pretty young 'Go Go' girl in love with a gangster... and a suburban housewife who enjoys playing the horses.

Plenty of racy and brutal action pulses onto the screen as these three lives are exposed. We see not only what the different forms of 'Hooking' are like but also learn how each of these girls became initiated into the trade.

Collie Sue is a Negress. . . gorgeous in face and in body, but always mindful that she has black skin, that the white man always views her differently than he does a white girl. The difference hurts and Callie Sue remembers, when one of the executives in her office makes blundering passes at her but cannot bring himself to take her out in public. She remembers what it was like back home in the

South and she sees vividly what the white man is like as far as she is concerned. The 'memory' is of two white boys who caught her in a corn field, tormented her, forced her to strip for them, dance for them, and then raped her. She hates. And her hate drives her to taunt and tease her office 'friend' and finally to demand money from him for the offer of her body. He pays and Collie Sue has learned how to make him pay. . . how to make them all keep on paying.

Julie dances in a discotheque. She is crazy about a punk named Mike, a big deal of some sort in the club. He promises her a show business career but he has other things in mind. In the club, wildly torrid dancing is the entertainment, including a striptease fire dance to really warm up the gentlemen clientele. Mike brutally beats the fire dancer for not coming through for one of his 'Johns'. Then, he takes her himself as she coweringly promises to do his bidding in the future. He sends Julie to meet one of his friends, a big-time producer. But Julie doesn't get the pitch. She runs from the producer and finds Mike furious with her. Because of her naivete and her love for him, he cons her into the game of the prostitute.

The third story belongs to Barbara Harrison, housewife, chic young modern, and at heart a lazy slut, bored with Mr. Harrison, bored with his junior executive income, and bored with life. Her remedy is to play the horses and when she loses too much and can't cajole her husband into giving her enough cash to cover herself, she finds herself in trouble with the bookie syndicate. She is threatened and slapped around a bit as a warning. She decides to offer herself to the enforcer as a way out. But he has even bigger plans. . . She likes the idea. She likes the money... and she digs the sex, no matter how freaky it may get. Like the rest, she's hooked. She's one of "THE HOOKERS."









Item Details:
Pressbook 12x14 single-sided folded




The Hookers

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Credits
"THE HOOKERS"

Starring

CALLIE SUE
Fleurette Carter - William Reilly - Joel Carter

JULIE
Shan Benedict - Steve Prince - Linda Lavell - Harold Heaghey

BARBARA
Monica Lee - Lucky Kargo - Jacque Colton - Jay Marfin


Director of Photography ............................... Sean O'Reilly
Film Editor ............................... Arno Hedlund
Assistant Director ............................... Michael James
Production Manager ............................... Jonathan Robert
2nd Unit Manager ............................... Ted Bethel
Sound Recordist ............................... NormanFarren
Callie Sue Sequence Written by ............................... Wm. Rose
PRODUCED and DIRECTED by ............................... Jalo Mikios Horthy

RUNNING TIME: 70 MINUTES








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