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Sexploitation
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Erotica
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Grindhouse
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Love Garden
1971 Barbara Mills
Mike, a freelance journalist, sees a pretty blonde, Claire, for the first time at the pool of his apartment house. For him it is love - or at least strong attraction - at first sight. Moreover, she seems to respond to his attention. Mike decides then and there to win Claire for himself.
He next sees her in the laundry room of the apartment building and strikes up a conversation. They enjoy talking to each other but when he invites her out, she turns him down. Later, when he visits her apartment, they talk again and there is an unmistakable spark between them. Still, she refuses to date him even though she admits that she hasn't a boyfriend. Mike is puzzled.
Shortly afterward, he learns the truth. Arriving at her apartment one evening he finds the front door ajar. Looking inside he sees Claire locked in a passionate embrace with her roommate lnez, a beautiful brunette.
Mike's discovery of Claire's lesbianism is a challenge to his male ego. He is certain
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that he can win Claire away from lnez, and he resolves to do just that. He leaves, and the girls enjoy a night of passionate, tender lovemaking.
Knowing that Claire has recently been fired from her job for refusing to sleep with her boss, Mike offers her a job as his personal secretary. She accepts and begins working every day in his apartment. As time goes on, they become close, and he takes her out on picnics and plays tennis with her. lnez, meanwhile, grows jealous.
Claire resists Mike attentions as long as she can but finally, one night, gives in and allows him to seduce her. The session is passionate but not completely fulfilling for Claire, and when it is over she longs to return to lnez. Later that night, when
Mike is asleep, she does. Mike awakens the following morning to find Claire gone. She is gone for four days, and he doesn't see her again until the next weekend. At that time she tells him that it won't work and that she can't see him again. After a tender farewell kiss they part, and she walks out of his life forever. . . . .
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