The second fisherman (IGNAC PAVKOVIC), soon overcoming her resistance, finds Eve a complete outlet for his sexual desires.

When Eve wakes up in the morning, she is alone on the boat. Left naked on the deck, with only an old sack thrown over her, she is observed on the quay by the hotel porter (JULIAN MATEOS) who opens the cabin door for her to enter and dress before he walks away.

Debased and disgusted by what has happened, Eve lo8es belief in the existence of pure and romantic love. She is now easily victimized by Ann, who continues to emphasize the naivete of living with only one man. Men are only sexual partners to be used and disposed of.

The males in the resort towns are willing. The two girls find themselves rivals over the handsome hotel porter. He, in turn, uses the situation fully: the older woman's sexual search for a younger man, and Eve's sexual hunger for an experienced lover.

Ann hadn't counted on Eve's complete abandonment of virtue coming so soon. Nor had she bargained that the younger Eve was to be a rival.

Eve takes the clerk away from Ann and now seek8 to experience everything she possibly can in the erotic field.

With a flamboyant night club singer (OLIVERA VUCO), she discovers a splendid baroque temple completely devoted to the rituals of lesbianism.

Ann, meanwhile, attempts to woo a famous Italian movie director (FRANCISCO RABAL), who, quick to see the destructive forces within her, firmly rejects her and her philosophy.

Ann realizes she has lost her hold on Eve. Student has far out paced mentor. In a violent scene, Eve leaves for Stockholm.

Hitchhiking a ride on a truck, she is now subject to her worst degradation. The four truckers draw cards to determine the sequence in which each will enjoy Eve's body. As the truck rolls through northern Italy, Eve is repeatedly taken by each of the truckers in turn.

Arriving in Stockholm, Eve marries her fiance. It is as though the events of the past two weeks did not matter. Or did they?